Art and Heart, Catherine Tambini’s spirited documentary celebrates the life of Isaiah Sheffer, the founding artistic director of Symphony Space and host of Selected Shorts on public radio who inspired everyone from Leonard Nimoy to Stephen Colbert. Paired with Making Morning Star. Academy Award–nominated filmmakers Julia Reichert and Steven Bognar’s intimate documentary relates the creation of Morning Star, a new opera by composer Ricky Ian Gordon as he brings 11 years of ideation to life. —Neha Talreja Preceded by Making Morning Star

Israel’s submission to the 2015 Oscars for Best Foreign Language Film surprises in many ways. For starters, the screenplay is almost entirely in Farsi, not Hebrew. The semi-autobiographical feature film debut from writer/director Yuval Delshad depicts three generations in the Morgian family, Persian immigrants from Iran to Israel eking out a living as rural turkey farmers. Sensitive performances, gentle pacing and refreshing plot twists combine to weave a richly satisfying story. —Emily Kaiser Thelin

Humorously examining Anglo-Jewish life of the 19th and 20th centuries, directors Gur Bentwich and Maya Kenig embark on a road trip to dissect the origins of their family. An array of aunts and cousins hold court, as well as long-departed Bentwiches, who come to life through zany Monty Python-esque animation. In the end, we become Bentwiches-by-proxy, crammed into the back seat of the family car, enjoying the ride. —Alexis Whitman Preceded by Spring Chicken, Dir. Tamir Elterman.

Not since Prisoners of War has there been such a provocative, nail-biting espionage thriller on Israeli TV. In False Flag five Israeli citizens wake up one morning to discover that they are suspects in the kidnapping of the Iranian minister of defense. The five become wanted and news coverage turns their world upside down. Their attempts to deny involvement are in vain. Even their loved ones question, could they be guilty? —Lexi Leban

A Swedish refugee camp doctor gives Holocaust survivor Miklós six months to live. But the young man refuses to die before meeting the love of his life. He sends letters to 117 Hungarian women in sex-segregated camps throughout Sweden. The response of 19-year old Lilli captures his heart and his imagination. Péter Gárdos’s romantic drama, based upon his novel of his parents’ post-Holocaust courtship creates indelible images of heartbreak and hope. —Sara L. Rubin

From 1942 until the end of the war, Brunhilde Pomsel worked as a stenographer for Joseph Goebbels, the infamous Nazi minister of propaganda. Now 105 years old, she is the last living witness to have seen the machinations of Nazi power from the inside. With her face in close-up, she recounts her past with lucidity and forces us to ask the timely question, “What would I have done in this situation?” —Jay Rosenblatt

This thoughtful documentary is a subtle examination of the history of Germany’s postwar Jewish population and of the fraught and fragile relations between Jews and non-Jews. Structured around a dinner party attended by Germans and Jews—some of whom were born in Germany, some who are “Germans by choice”—the film negotiates sensitive questions of memory, guilt, identity and redemption with grace and aplomb while giving access to both sides of a crucial historical dialogue. —Seth Barron *SJM: Single Jewish Mom Free Screening

In Jerusalem’s Biblical Zoo, Israelis and Palestinians work alongside one another to tend to the zoo’s elephants, crocodiles and rhinos. Inevitably, tensions within and across animal species reflect themselves in the mostly good-natured, always edgy interactions between employees, who lead regular tours of Muslim and Jewish schoolchildren through the zoo’s grounds. Katharina Waisburd’s keen eye results in an unforgettable lens into the current conflict in the Holy Land. Preceded by The Mute’s House. —Zoe Pollak

Take a classic Woody Allen–style antihero, add Alfred Hitchcock–level intrigue and a strong dose of Argentine sex appeal, and you have this comic, poignant and smart feature. Director Gabriel Lichtmann shows the complicated family relations of Lucas, a young Buenos Aires Jewish lawyer and a mystery buff (he even has a dog named Sherlock) as he solves the mystery of who conned him out of a down payment on a house. —Emily Kaiser Thelin

Where can you find the best hummus in the world? From Suheila, a single Muslim woman who is known for her legendary hummus, to Jalil, a Christian Arab hipster in Ramle who runs his father’s hummus joint, to Eliyahu, a born-again Orthodox Jew who owns a hummus restaurant chain, this fun and fascinating film about the highly competitive hummus restaurant business in Israel shows how powerful this chickpea spread can be. —Tamar Fox

Renowned chef Michael Solomonov explores a diverse world of food drawn from more than 100 cultures. Chefs, farmers, vintners, cheese makers and home cooks discuss their roots and show specialties that both preserve and update traditional recipes using global inspiration. Uniquely and lovingly prepared shakshuka, boreka, maqluba, couscous and a kugel that challenges expectations are just a few of the irresistible dishes featured. Warning: This movie will make you hungry!

This haunting debut feature from Israeli director Yaelle Kayam explores religious themes in a tale of a young woman’s struggle to find herself. It depicts an Orthodox woman suffering in a loveless marriage, searching for companionship amidst the tombstones, pimps and prostitutes of Jerusalem’s Mount of Olives. Even as the plot turns dark, actress Shani Klein (Zero Motivation, SFJFF 2014) imbues the character Tsiva with an unforgettable tenderness. —Emily Kaiser Thelin

Jewish Canadian writer David Bezmozgis directs his acclaimed short story of forbidden teenage love between Mark, a Toronto slacker and his troubled Russian cousin by marriage. Bezmozgis’s highly provocative and deeply poignant coming-of-age drama features the extraordinarily measured performances of Alex Ozerov as Mark and newcomer Sasha K. Gordon as the sexually precocious Natasha, the dark star who forever alters Mark’s staid, suburban existence. —Thomas Logoreci

Norman Lear wrote, produced, created, and developed more than a hundred television shows. His legendary body of work includes such iconic programs as: All in the Family; Maude; Good Times; The Jeffersons; and Mary Hartman, Mary Hartman. Now about to turn 94, this Jewish World War II veteran is the focus of the documentary Norman Lear: Another Version of You and the author of an autobiography, Even This I Get to Experience. The Festival is honored to present this year’s Freedom of Expression Award to Norman Lear, the television pioneer and founder of the advocacy organization, People for the American Way, whose passionate, inspiring involvement may be needed now more than ever. —Lexi Leban Screened at Sundance 2016

Led by the magnetic Tal Brody, the Maccabi Tel Aviv basketball team, a combination of NBA also-rans and Israeli players, rallied a nation in its David-and-Goliath pursuit of the 1977 European Championship. Director Dani Menkin presents the context for what was a much-needed morale boost amid Israel’s sagging economy, the lingering sorrow of the 1972 Munich Olympics massacre and the battle-weariness in the wake of the 1973 Yom Kippur War. —Sara L. Rubin

Nathan Fabre, a teacher in a French-German school, is working on his thesis about the French Resistance during World War II. During a research trip to Buchenwald, he finds a photo of a prisoner with an uncanny resemblance to his father. When his father ignores his queries, Nathan pursues the matter himself, and his research becomes much more than academic, complicated further by his romance with a young German woman. —Sara L. Rubin

In late 1950s Germany attorney general Fritz Bauer (played by The White Ribbon’s lauded Burghart Klaussner) is intent on bringing the infamous Nazi Adolf Eichmann to trial. This riveting historical thriller chronicles the hindrances and the potentially mortal dangers Bauer faces as a closeted gay Jewish lawyer working alongside men in the government who can bring criminals like Eichmann to justice but who ultimately have the power to conceal their own Nazi pasts. —Zoe Pollak Screened at Berlinale 2016

This examination of the life and times of Israeli Prime Minister Yitzhak Rabin is constructed largely from archival footage, photographs and interviews, from Rabin’s early days to his tragic death. Director Erez Laufer (One Day After Peace, SFJFF 2012) takes us from Rabin’s childhood, through his experience fighting in three wars, to his assassination, and reminds us of the possibility for peace that remains for those who want it. —Seth Barron

Layla, a teenager in a Bedouin village in South Israel has a cell phone, drives a car, and has a secret boyfriend at the college she is attending. She watches from a distance as her mother accepts her father’s second wife into their family, prompting questions about her own future. This stunning first feature by Israeli director Elite Zexer sympathetically captures the struggle between tradition and modernity in the beautifully stark Negev desert landscape. - Lexi Leban Winner, World Cinema Grand Jury Prize, Sundance Film Festival 2016

In a comprehensive and compelling retelling, award-winning Israeli filmmaker, Shimon Dotan (Smile of the Lamb, SJFFF 1986) traces with remarkable access the history of Israeli settlements in the West Bank since Israel’s decisive victory in the 1967 Six Day War. Using archival footage of the religious zealots and interviews with a diverse range of modern-day settlers, Dotan weaves together the story that entangles the destinies of Israel and the Palestinian people. —Janis Plotkin Screened at Sundance Film Festival 2016

Shtisel is a family melodrama that looks like Modern Family put on a kippah and went to Jerusalem. This melodrama returns to SFJFF for its second season. The critical and commercial success combines Haredi traditions and popular television tropes. Season 2 again follows the Shtisel clan as they navigate adolescence, engagement, sibling ties and death. Whether for romantic, religious or family reasons, Shtisel appeals to fans of love across all ages. —Maya Lekach

Just as its iconic pink box has graced Passover seder tables for generations of American Jews, so, too, Streit’s matzo factory has stood for some 80 years on the Lower East Side. For many Jews, a family business has been a way to make a living and a way to ensure that the next generation could do better. This is all challenged by the need for modernity, the pressures of foreign competition and enticing real estate offers. —Sara L. Rubin

Ariel lives in New York, far from the lively Jewish district in Buenos Aires where he grew up. But when his father summons him back home for help, Ariel reluctantly returns. The Tenth Man is a kindhearted comedy with a gentle romantic touch. Director Daniel Burman (All In, SFJFF 2012) joyfully upends the old adage that you can never go home again and instead says, maybe under the right circumstances, you can. —Jay Rosenblatt

This quirky and poignant documentary examines the challenges of Jewish life in small-town America. Focusing on four tiny Jewish communities, directors Brad Lichtenstein and Morgan Elise Johnson examine in intimate detail what happens to a congregation when there are scarcely enough Jews left to form a quorum for religious activities, much less to maintain a vibrant community. An unusual and intriguing look at a segment of American Jewish life that is rarely examined. —Seth Barron

In this honest and emotional documentary by Tomer and Barak Heymann (Close Up: Heymann Brothers, SFJFF 2008), Israeli expatriate Saar Maoz lives in London, where he’s active in the London Gay Men’s Chorus and struggling with HIV. When his Orthodox parents ask him to come back to Israel, Saar must decide where his future lies and how to make peace with his family as they struggle to accept his identity and his HIV status. —Tamar Fox Winner, Panorama Audience Award, Berlin Film Festival 2016

Writer/actor Aaron Davidman takes us on a whirlwind journey that presents competing narratives of the Israeli/Palestinian conflict. He gracefully embodies 17 characters, moving deftly from male to female, Palestinian to Israeli, American to European. Davidman’s ability to empathize makes him an excellent tour guide. Masterfully shot backstage during a live performance, and in the desert, the film conjures cafes, buses and settlements as well as the deeply human stories they contain. —Stephanie Rapp

Critically acclaimed Israeli Arab writer Sayed Kashua (hit TV series Arab Labor, SFJFF 2008–13), delivers a masterfully nuanced dramatic series about Kateb, a 40-year-old Israel Arab writer, who, like Amjad, the protagonist of Arab Labor, is living in Israel and struggling with an identity crisis. Kateb (like Kashua in real life) faces the challenge of growing creatively in Israeli society, which sometimes has preconceived notions about even its most talented Palestinian writer. —Nancy K. Fishman